In.Esdi 

O PPDESDI convida para encontro virtual com a coordenação, professores e representantes discentes, quando serão apresentados o programa, as linhas de pesquisa TPI (Tecnologia, Produto e Inovação) e TISH (Teoria, Informação, Sociedade e História).

Aqui Trem é um zine que reúne fragmentos de histórias sobre o comércio ambulante dentro dos trens, desenvolvido como projeto de conclusão de graduação na Escola Superior de Desenho Industrial por Marcele Azevedo, sob orientação da professora Zoy Anastassakis. O zine apresenta pequenas narrativas de passageiros e ambulantes que se relacionam, de alguma forma, com a prática dos camelôs nos trens do Rio de Janeiro. Esta compilação de conversas busca registrar, por meio de relatos e imagens, parte deste universo.

The general aim of this project is to carry out an investigation into the architecture of terreiros in contemporary times, based on their historical relationship with echoes of Afro-Brazilian subjectivity that mark the constructive, formal and typological characteristics of these sacred spaces. The central hypothesis of the research is to understand that the condition of the contemporary architecture of African-origin cult terreiros, in their ways of using space, holds traces that indicate a habitability of traditions, ancestry, quilombismo, etc. The historical relationships, adaptations and strategies of a people who were enslaved and subjected to a new culture of domination generated alternatives of resistance to maintain their faith and religious practices. Thus, the architecture of contemporary terreiros seems to bear many traces of these strategies of resistance and adaptability in their uses and constructive adaptations.

The general aim of this project is to situate the idea of architecture and urbanism in the contemporary debate on social emergencies and their relationship with design, art and culture, based on reflections on participation, co-authorship, decoloniality, place, popular practices, alterity, intersubjectivity, contact surface, event, among others. The central hypothesis of the research is to understand that the condition of contemporary architecture and urbanism and social emergencies challenges professionals to create projects that produce displacements of their own ‘fixed identities’ in the construction of an ‘additive disidentification’, where interventions and material culture can be crossed by multiple facets, for example, between architecture, design, art and culture, expanding the boundaries of socially justifiable constructions.