Through graphic analysis of film exhibition catalogs produced by Centro Cultural Banco do Brasil do Rio de Janeiro (CCBB-RJ) this research aims to provoke reflection on the points of alignment and tension between graphic design, film, editorial and curatorial projects of these productions.Developed from the observation of the object itself and the experience of the subjects involved in its production, this study proposes to raise design projective actions interfacing with the discourses at play in the fields of cinema, documentation, editing and distribution of this cultural heritage.Compete in an incisive way to the production of meaning of this object the cultural dissemination policies in Brazil and these materials are addressed as artifacts that carry in their visual marks the cultural dynamic in which they are immersed.